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・ Masakatsu Ueda
・ Masakazu
・ Masakazu Fujiwara
・ Masakazu Fukuda
・ Masakazu Imanari
・ Masakazu Ito
・ Masakazu Kagiyama
・ Masakazu Katsura
・ Masakazu Kawabe
・ Masakazu Kihara
・ Masakazu Koda
・ Masakazu Konishi
・ Masakazu Kuramochi
・ Masakazu Morita
・ Masakazu Motoki
Masakazu Nakai
・ Masakazu Obara
・ Masakazu Sekiguchi
・ Masakazu Senuma
・ Masakazu Suzuki
・ Masakazu Tamura
・ Masakazu Tashiro
・ Masakazu Washida
・ Masakazu Yamaguchi
・ Masakazu Yoshizawa
・ Masaka–Bukakata Road
・ Masaki
・ Masaki Aiba
・ Masaki Aizawa
・ Masaki Art Museum


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Masakazu Nakai : ウィキペディア英語版
Masakazu Nakai

(14 February 1900 - 18 May 1952) was a Japanese aesthetician, film theorist, librarian, and social activist.
==Career==
Born in Hiroshima Prefecture, Nakai studied philosophy at Kyoto University, particularly aesthetics under Yasukazu Fukuda. He started the dōjinshi ''Bi hihyō'' in 1930, which changed its name to ''Sekai bunka'' in 1935.〔 He became a lecturer at Kyoto University while being active in left-wing social movements, protesting Japan's tilt towards fascism and promoting popular forms of culture through such concepts at the "logic of the committee."〔 He founded the popular culture tabloid ''Doyōbi'' (Saturday) in 1936, but was arrested for his activities in 1937 and lost his university position.〔 After World War II, he continued his political activism by teaching philosophy as part of the Hiroshima Culture Movement and by running for governor of Hiroshima Prefecture, only losing by a narrow margin.〔Leslie Pincus, "A Salon for the Soul: Nakai Masakazu and the Hiroshima Culture Movement," ''positions'' 10.1 (2002), pp. 173-194.〕 He was appointed the first Vice Librarian (''fukukanchō'') of the National Diet Library in 1948.〔

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